American, born 1970
EDUCATION |
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1996 |
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Whitney Museum Independent Study Program, New York, NY |
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1994 |
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BA, Semiotics, Brown University, Providence, RI
Lives and works in New York |
SELECTED SOLO EXHIBITIONS |
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2006 |
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Currents 97: Cameron Martin, Saint Louis Art Museum, St. Louis, MO |
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2005 |
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Works on Paper, Greenberg Van Doren Gallery, New York, NY
Law of Ruins, G Fine Art, Washington DC |
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2004 |
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A Turn Pale, Gallery Min Min, Tokyo, Japan
Clear Skies, Artemis Greenberg Van Doren Gallery, New York, NY |
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2003 |
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Never Rider, Gallery Min Min, Tokyo, Japan |
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2002 |
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Standstill, Artemis Greenberg Van Doren Gallery, New York, NY |
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2001 |
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New Paintings, Kevin Bruk Gallery, Miami, FL
Three Pictures, Howard House, Seattle, WA |
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2000 |
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Cameron Martin, Angstrom Gallery, Dallas, TX |
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1999 |
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Future Views, Tate, New York, NY
The Future Lasts Forever, Howard House, Seattle, WA |
SELECTED GROUP EXHIBITIONS |
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2006 |
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Paper, Paper, Atrium Gallery, St. Louis, MO |
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2005 |
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Structure, Lucas Schoormans Gallery, New York, NY
Terra Non Firma, Howard House, Seattle, WA
Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, WA |
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2004 |
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Stay Inside, Shoshana Wayne Gallery, Santa Monica, CA
Whitney Biennial, Whitney Museum of American Art, New York, NY
New Prints 2004/Winter, International Print Center, New York, NY |
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2003 |
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Giverny, Salon 94, New York, NY
Nature Boy, Elizabeth Dee Gallery, New York, NY
City Mouse/Country Mouse, Space 101, Brooklyn, NY |
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2002 |
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Contemporary Art Project Collection, Seattle Art Museum, WA
Everybody Knows This Is Nowhere, Kevin Bruk Gallery, Miami, FL
Linger, Artemis Greenberg Van Doren Gallery, New York, NY
Guide to Trust No. 2, Yerba Buena Center for the Arts, San Francisco, CA |
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2001 |
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Three Painters: Eva Lundsager, Cameron Martin, Louise Belcourt, Lawrence Rubin Greenberg Van Doren Fine Art, New York, NY |
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2000 |
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3ness, Museum Dhondt-Dhaenens, Deurle, Belgium
Shifting Ground, Transformed Views of the American Landscape, Henry Art Gallery, Seattle, WA |
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1999 |
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Other Paintings, Huntington Beach Art Center, CA |
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1998 |
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Open, Tate, New York, NY |
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1997 |
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Apartments, Artra, Milan, Italy |
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1996 |
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1996A, Holly Solomon Gallery, New York, NY |
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1995 |
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Northwest Annual, Center on Contemporary Art, Seattle, WA |
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1994 |
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Home, Bellevue Art Museum, WA |
SELECTED BIBLIOGRAPHY: BOOKS AND CATALOGUES |
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2005 |
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Thad Ziokowski. Cameron Martin, Works on Paper. New York: Greenberg Van Doren Gallery |
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2004 |
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Martha Schwendener. Cameron Martin. Tokyo: Gallery Min Min
Chrissie Iles et al. 2004 Biennial Exhibition. New York: Whitney Museum of American Art |
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2002 |
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Tara Reddy Young. The Contemporary Art Project Collection. Seattle: Seattle Art Museum
Dike Blair. Standstill. New York: Artemis Greenberg Van Doren Gallery
Guide to Trust No. 2. San Francisco: Yerba Buena Center for the Arts |
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2000 |
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Dike Blair. 3ness. Deurle, Belgium: Museum Dhondt-Dhaenens
Rhonda Lane Howard. Shifting Ground: Transformed Views of the American Landscape. Seattle: Henry Art Museum< |
SELECTED BIBLIOGRAPHY: ARTICLES AND REVIEWS |
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2004 |
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Margaret Sundell. "The Today Show: The Whitney Sums up the State of Contemporary Art in the Best Biennial in Years." Time Out New York, March 25-April 1, p. 56
Bridget Goodbody. "Cameron Martin: Clear Skies." Time Out New York, February 5-12, p. 58 |
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2003 |
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John Reed. "Review-Giverny" Time Out New York, July 24-31, p. 46 |
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2002 |
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Ken Johnson. "Art in Review: Standstill." The New York Times, April 12, p. 36
Tim Griffin. "Review-Standstill." Time Out New York, April 11-18, p. 71 |
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2000 |
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Frances DeVuono. "Shifting Ground at the Henry Gallery." Artweek, May, p. 31
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