CAMERON MARTIN

 

 

American, born 1970

Lives and works in New York

 

EDUCATION

 

1996 Whitney Museum Independent Study Program, New York, NY

1994 BA, Semiotics, Brown University, Providence, RI

 

 

SELECTED SOLO EXHIBITIONS

 

2013 Galerie Nikolaus Ruzicska, Salzburg, Austria

2011 “Bracket,” Greenberg Van Doren Gallery, New York, NY

2009 “Ski Dubai,” The Suburban, Oak Park, IL

2008 Gallery Min Min, Tokyo, Japan
Galerie Nikolaus Ruzicska, Salzburg, Austria

2007 “Eclipse,” Greenberg Van Doren Gallery, New York, NY (catalogue)

Eleven Rivington, New York, NY

2006 “Currents 97: Cameron Martin”, Saint Louis Art Museum, St. Louis, MO

Focus 3: Cameron Martin, Philbrook Museum of Art, Tulsa, OK

2005 “Works on Paper,” Greenberg Van Doren Gallery, New York, NY

“Law of Ruins,” G Fine Art, Washington DC

2004 “A Turn Pale,” Gallery Min Min, Tokyo, Japan

“Clear Skies,” Artemis Greenberg Van Doren Gallery, New York, NY

2003 “Never Rider,” Gallery Min Min, Tokyo, Japan

2002 “Standstill,” Artemis Greenberg Van Doren Gallery, New York, NY

2001 “New Paintings,” Kevin Bruk Gallery, Miami, FL

“Three Pictures,” Howard House, Seattle, WA

2000 “Cameron Martin,” Angstrom Gallery, Dallas, TX

1999 “Future Views,” Tate, New York, NY

“The Future Lasts Forever,” Howard House, Seattle, WA

 

 

SELECTED GROUP EXHIBITIONS

 

2015 “Wintry Mix,” Atrium Gallery, St. Louis, MO

2014 “Summer Rotation,” Atrium Gallery, St. Louis, MO

“Fixing a Hole,” Clinton and Koenig, New York, NY

“Delusion/Illusion,” Galleri Haaken, Oslo, Norway

“Monochromatic,” Triumph and Disaster, Montgomery, AL

2013 “White House,” Galerie Clemens Gunzer, Zurich, Switzerland

“Decade One: Highpoint Editions,” Sherman Gallery, Boston University, MA

“How You Gonna Get Back to Jersey?,” Planthouse, New York, NY

“Black Rabbit, White Hole,” Samuel Freeman Gallery, Los Angeles, CA

2012 “25 Years of Tandem Press,” Chazen Museum, Madison, WI (catalogue)

2011 “Mythos Berg,” RLB Kunstbruecke, Inssbruck, Austria

“Highpoint Editions—Decade One,” Minneapolis Institute of Art, Minneapolis, MN

“After Destiny,” Flanders Gallery, Raleigh, NC

“Make Skateboards,” I-20, New York, NY

“Waiting Ground,” Kate Werble Gallery, New York, NY

“Accrochage,” Galerie Nikolaus Ruzicska, Salzburg, Austria

“Reclaimed,” Seattle Art Museum, Seattle, WA

“Surveyor,” Albright Knox Art Gallery, Buffalo, NY

“Landscape,” Atrium Gallery, St. Louis, MO

2010 “Prints,” Atrium Gallery, St. Louis, MO

Art on Paper Biennial,” Weatherspoon Art Museum, Greensboro, NC (catalogue)
roundabout,” City Gallery Wellington, New Zealand (catalogue)
Force of Nature,” The Horticultural Society of New York, New York, NY
Guatavita,” Eleven Rivington, New York, NY

Grass Grows By Itself,” Marlboro Gallery, New York, NY, curated by Sima Familant
Swell: Art 1950-2010,” Friedrich Petzel, New York, NY

2009 “edia Int’l Group,” Foundation Barbin, New York, NY
Uncharted,” University at Albany Art Museum, Albany, NY
Infinitesimal Eternity: Images Made in the Face of Spectacle,” Yale School of Art, New Haven, CT (catalogue)
Untitled (A Brink of Infinity),” Western Bridge, Seattle, WA

2008 “Gray,” Dinter Fine Art, New York, NY
Water,” G Fine Art, Washington D.C.
The Group Exhibition,” Gallery Min Min, Tokyo, Japan

2007 “Body / Spirit,” Atrium Gallery, St. Louis, MO

In Monet’s Garden, Columbus Museum of Art, Columbus, OH, traveling to the Musée Marmottan, Paris, France (catalogue)
Back to Nature, Galerie Ruzicska, Salzburg, Austria
Neointegrity, Derek Eller Gallery, New York, NY
Microwave 5, Josée Bienvenu Gallery, New York, NY
Shipworm and Gribble, Secret Project Robot, Brooklyn, NY
Back East, Mandrake, Los Angeles, CA
New Prints 2007/Spring, International Print Center New York, New York, NY
Melvins, Mandrake, Los Angeles, CA
Water, Ferragamo Gallery, New York, NY

2006 “Paper, Paper,” Atrium Gallery, St. Louis, MO

Ruth Root, Alex Brown, Cameron Martin, Sally Ross, Gallery Min Min, Tokyo, Japan
Pop and After, Saint Louis Art Museum, Saint Louis, MO
Tandem Press Highlights 1995-2005, Chazen Museum of Art, Madison, WI
Selections from the John Morrissey Collection, Armory Art Center, West Palm Beach, FL (catalogue

2005 “Structure,” Lucas Schoormans Gallery, New York, NY

No Facsimile,” Florescent Gallery, Knoxville, TN

“Terra Non Firma,” Howard House, Seattle, WA

“Short Stories: Contemporary Selections,” Henry Art Gallery, Seattle, WA

2004 “Stay Inside,” Shoshana Wayne Gallery, Santa Monica, CA

“Whitney Biennial,” Whitney Museum of American Art, New York, NY

“New Prints 2004/Winter,” International Print Center, New York, NY

2003 “Giverny,” Salon 94, New York, NY

“Nature Boy,” Elizabeth Dee Gallery, New York, NY

“City Mouse/Country Mouse,” Space 101, Brooklyn, NY

2002 “Contemporary Art Project Collection,” Seattle Art Museum, WA

“Everybody Knows This Is Nowhere,” Kevin Bruk Gallery, Miami, FL

“Linger,” Artemis Greenberg Van Doren Gallery, New York, NY

“Guide to Trust No. 2,” Yerba Buena Center for the Arts, San Francisco, CA

2001 “Three Painters: Eva Lundsager, Cameron Martin, Louise Belcourt,” Lawrence Rubin Greenberg Van Doren Fine Art, New York, NY

2000 “3ness,” Museum Dhondt-Dhaenens, Deurle, Belgium

“Shifting Ground, Transformed Views of the American Landscape,” Henry Art Gallery, Seattle, WA

1999 “Other Paintings,” Huntington Beach Art Center, CA

1998 “Open,” Tate, New York, NY

1997 “Apartments,” Artra, Milan, Italy

1996 “1996A,” Holly Solomon Gallery, New York, NY

1995 “Northwest Annual,” Center on Contemporary Art, Seattle, WA

1994 “Home,” Bellevue Art Museum, WA

 

 

AWARDS

 

2010 John Simon Guggenheim Memorial Foundation Fellowship

2008 Joan Mitchell Foundation Fellowship

2006 Steep Rock Arts Residency, Washington, CT

2005 Freund Teaching Fellowship, Washington University, St. Louis, MO

2001 Artists at Giverny Fellowship and Residency, France

2000 Pollock-Krasner Foundation Award

1994 Samuel T. Arnold Fellowship

 

 

PUBLIC COLLECTIONS

 

Addison Gallery of American Art, Andover, MA

Albright Knox Art Gallery, Buffalo, NY

Cleveland Museum of Art, OH

Henry Art Gallery, Seattle, WA

Minneapolis Institute of Art, MN

Philbrook Museum, Tulsa, OK

Saint Louis Art Museum, MO

Seattle Art Museum, WA

University of Wisconsin, Madison, WI

U.S. State Department Art Bank Program, Washington DC

Whitney Museum of American Art, New York, NY

 

 

 

Selected Bibliography: Books and Catalogues

 

2011 Cameron Martin: Bracket, exhibition catalogue, interview with Amy Sillman, Greenberg Van Doren Gallery

2010 Can I Come Over to Your House? The First 10 Years of the Suburban, Poor Farm Press

2009 Cameron Martin: analogue, essays by Martha Schwendener and Alexander Dumbadze, GHava{press}

2007 Eclipse, exhibition catalogue, essay by Andrea Scott, Greenberg Van Doren Gallery

In Monet’s Garden, exhibition catalogue, essays by Joe Houston, M. Melissa Wolfe and James Yood, Scala

2006 Focus 3: Cameron Martin, exhibition brochure, interview with Catherine Morris, Philbrook Museum

Currents 97: Cameron Martin, exhibition brochure, essay by Robin Clark, Saint Louis Art Museum

Selections from the John Morrissey Collection, catalogue essay by John Morrissey, Armory Art Center

2005 Thad Ziokowski. Cameron Martin, Works on Paper. New York: Greenberg Van Doren Gallery

2004 Martha Schwendener. Cameron Martin. Tokyo: Gallery Min Min

Chrissie Iles et al. 2004 Biennial Exhibition. New York: Whitney Museum of American Art

2002 Tara Reddy Young. The Contemporary Art Project Collection. Seattle: Seattle Art Museum

Dike Blair. Standstill. New York: Artemis Greenberg Van Doren Gallery

Guide to Trust No. 2. San Francisco: Yerba Buena Center for the Arts

2000 Dike Blair. 3ness. Deurle, Belgium: Museum Dhondt-Dhaenens

Rhonda Lane Howard. Shifting Ground: Transformed Views of the American Landscape. Seattle: Henry Art Museum

 

Selected Bibliography: Articles and Reviews

 

2013 Wetzler, Rachel, “Cameron Martin’s Nonspecific Landscapes”, Rhizome Journal, April 16

Hirsch, Faye, “Cameron Martin”, Art in Print, Volume 2, Number 5

2012 Rachel Corbett, “Armory 2012,” Artnet Magazine, March 8

2011 Chris Bollen, “Mountain Man,” Intervie, March, p. 98

“Cameron Martin,” The New Yorker, April 25

Greg Lindquist, “In Conversation: Cameron Martin with Greg Lindquist,” The Brooklyn Rail, March, p. 26-28

Martha Schendener, “The Badass and the 30 Year Hallucination,” The Village Voice, March 9, p. 29

Roger White, “Immersive Uptown Gallery Experience,” Paper Monument, March

Michael Wilson, “Cameron Martin, ‘Bracket’,” Time Out New York, April 4

Amy White, “New American Landscape at Flanders, “ Independent Weekly, August, p. 25

2010 Blind Spot, Issue 42, collaborative project with Miranda Lichtenstein, Liz Deschenes, editor

Paul Laster, “Grass Grows by Itself,” Time Out New York, August 19-25

2009 Brian Fitchner, “Cameron Martin: Analogue,” coolhunting.com, April 1

Jeffrey Cyphers Wright, “Rapid Transit: Cameron Martin: Analogue,” Brooklyn Rail, April

2008 Eva Komarek, “Cameron Martin—Natur verbunden,” Wirtschafts Blatt Kompact, March 14, p. 18-19

Adam Mendelsohn, “Reviews Marathon—Cameron Martin,” Art Review, February, p. 63

Karen Rosenberg, “Art in Review: Eclipse,” New York Times, January 4, p. E37

2007 Dike Blair, “Editor’s Choice: Cameron Martin,” Bomb Magazine, Fall Issue, p. 14

“Cameron Martin: Eclipse,” The New Yorker, December 17

Emily Weiner, “Review—Eclipse,” Time Out New York, December 27-January 2, p. 71

2006 Davis Bonetti, “Best Bets,” Saint Louis Post Dispatch, March 23

Davis Bonetti,” Landscapes Lack People and Power,” Saint Louis Post Dispatch, April 2

James Watts, “Impermanent Illusions,” Tulsa World, June 27, p. D3

2005 “Cameron Martin: Works on Paper,” The New Yorker, October 31

2004 Margaret Sundell. "The Today Show: The Whitney Sums up the State of Contemporary Art in the Best Biennial in Years." Time Out New York, March 25-April 1, p. 56

Bridget Goodbody. "Cameron Martin: Clear Skies." Time Out New York, February 5-12, p. 58

2003 John Reed. "Review—Giverny" Time Out New York, July 24-31, p. 46

2002 Ken Johnson. "Art in Review: Standstill." The New York Times, April 12, p. 36

Tim Griffin. "Review—Standstill." Time Out New York, April 11-18, p. 71

2000 Frances DeVuono. "Shifting Ground at the Henry Gallery." Artweek, May, p. 31