NICOLA LÓPEZ

 

 

EDUCATION

 

  1. MFA Columbia University; New York, NY

2002 Skowhegan School of Painting and Sculpture; Skowhegan, ME

1998 BA Columbia University; New York, NY

1996 Attended Escola de Artes Visuais (School of Visual Arts); Rio de Janeiro, Brasil

 

 

AWARDS AND RESIDENCIES

 

2006 Headlands Center for the Arts (Project Space); Sausalito, CA

2005 2005 NYFA Fellowship in Drawing/Printmaking/Book Arts

2004 Joan Mitchell Foundation MFA Graduate Award

2004 Mortimer Frank Traveling Fellowship; Awarded by Columbia University; NY, NY

2004 Assilah Summer Moussem Artist Residency; Assilah, Morocco

1998-1999 Mortimer Hays-Brandeis Traveling Fellowship, awarded by Brandeis University;

Brandeis, Mass.

 

 

INDIVIDUAL EXHIBITIONS

 

2007 Franklin Art Works, Minneapolis, MN

2006 “OverGrowth” Caren Golden Fine Art; NY, NY

2005 “Vertigo” Caren Golden Fine Art; NY, NY

2003 “Maps and Other Myths” LACS Gallery at SUNY Stony Brook; Stony Brook, NY

1999 “Rescatando la Historia” Museo de Arte Contemporáneo; Cusco, Perú

“Transplantes” Taller de Manuel; Cusco, Perú

 

 

GROUP EXHIBITIONS

 

2015 “Works on Paper,” Atrium Gallery, St. Louis, MO

2012 “AAF – Los Angeles,” Atrium Gallery, Los Angeles, CA

2008 “Phantom Sightings” Los Angeles County Museum of Art; LA, CA

2007 “Consumption Junction” Columbus College of Art & Design; Columbus, OH

“Landscape Architect” Arts Center of the Capital Region; Troy, NY

“The Art & Artifice of Science” The Fine Arts Museum/Santa Fe at 516 Arts;

Albuquerque, NM (Feb. 10-March 24; curated by Arif Khan)

2006 “Globalization and Its Side Effects” Espacio 1414; San Juan, PR

“This is That” Arroniz Arte Contemporaneo; Mexico City, Mexico

“Scenic Overlook” Center for Contemporary Arts; Santa Fe, NM

“Works on Paper” Rebecca Ibel Gallery; Columbus, OH

“Joan Mitchell Foundation MFA” CUE Art Foundation; NY, NY

“Paper Cuts” Voges + Partner Galerie; Frankfurt, Germany

“Fragile” Voges + Partner Galeria; Frankfurt, Germany

 

 

 

 

“Drawing Conclusions on the Wall” Guggenheim Gallery, Chapman University; Orange, CA

“Since 2000: Printmaking Now” Museum of Modern Art; NY, NY

“The (S) Files” Museo de Arte de Puerto Rico; San Juan, PR

“Activator” Bates College Museum; Lewiston, Maine

“Seeing Is Believing” Bronx River Art Center; Bronx, NY

2005 “The (S) Files / The Selected Files” El Museo del Barrio; NY, NY

“Swallow Harder: Selections from the Ben and Aileen Krohn Collection” The Frye Art Museum;

Seattle, WA

“10th National Drawing Invitational” Arkansas Art Center; Little Rock, Arkansas

“Dreaming of a More Better Future” Cleveland Institute of Art; Cleveland, OH

“Hot Town Summer in the City” Caren Golden Fine Art; NY, NY

Nicola López / John Copeland (two-person exhibit); Irvine Contemporary Art; Washington, DC

“Greater New York 2005” PS1 Contemporary Art Center; Queens, NY

ARCO 05; Madrid, Spain

“Micro Universe: Visions of the Artist’s Mind” The Lab Gallery; NY, NY

2004 “Merry” Sideshow; Brooklyn, NY

“Saturación II” (two-person exhibit) Galería Biblioteca Lino Picaseno, UNAM,

Ciudad de México, México

SCOPE Miami 2004; Miami, FL

“Desire Lines” Fusebox; Washington, DC

“After Goya” LeRoy Neiman Gallery; Columbia University, NY, NY

“Atravesando Fronteras” El Museo Cultural; Santa Fe, NM

“Martha and Me” Gallery OneTwentyEight; NY, NY

Columbia University MFA Thesis Show 2004; Columbia University; NY, NY

“Freehand” Marvelli Lab; Brooklyn, NY

“Object of Desire” LeRoy Neiman Gallery; Columbia University, NY, NY

“SuperSalon” Samson Projects; Boston, MA

2003 “Merry” Sideshow; Brooklyn, NY

“Saturación” (two-person exhibit) Instituto de Artes Gráficos de Oaxaca;

Oaxaca, México

“Dress Me Up” SOIL Art Gallery; Seattle, WA

First-Year MFA Exhibition, Miriam and Ira D. Wallach Art Gallery, Columbia University; NY, NY

 

2002 “Merry Merry” Sideshow; Brooklyn, NY

“Procession” LeRoy Neiman Gallery, Columbia University; NY, NY

“Myth and Hybrid” LeRoy Neiman Gallery, Columbia University; NY, NY

“Bon a Tirer” Brooklyn Front Gallery; Brooklyn, NY

“Artist Books” Holland Tunnel; Brooklyn, NY

“In Xóchitl In Cuicatl : Flor y Canto : Reflections from Nuevo México” Museum of International

Folk Art; Santa Fe, NM

2001 Holiday Group Show, Sideshow; Brooklyn, NY

“Artist Books and Folios” LeRoy Neiman Gallery, Columbia University; NY, NY

“Made in Brooklyn” S. Cono Pizzeria; Brooklyn, NY

“Brewster Project”; Site-specific Arts Event; Brewster, NY

“Art & Performance by Women” Sideshow; Brooklyn, NY

“We Love Our Customers” Consulate General of the Republic of Hungary; NY, NY

“Artists’ Books” LeRoy Neiman Gallery, Columbia University; NY, NY

2000 “Territorios Colindantes” El Museuo Cultural, sponsored by La Voz Festival de las Americas;

Santa Fe, NM

1999 “Muestra Pictórica Colectiva de la Sociedad de Artistas del Cusco” Museo de Arte

Contemporaneo; Cusco, Perú

“Invasores” Taller de Manuel; Cusco, Perú

“Solitary Vices” Site 21/21; Albuquerque, NM

1997 Untitled (two-person exhibit) Postcrypt Gallery, St. Paul’s Chapel, Columbia University; NY, NY

 

 

MUSEUM COLLECTIONS

 

Museum of Modern Art, New York, NY

Nerman Museum of Contemporary Art, Overland Park, KS

New Mexico Museum of Art, Santa Fe, NM

Instituto de Artes Graficos de Oaxaca, Oaxaca, Mexico

Davison Art Center at Wesleyan University, Middletown, WV

Phoenix Arts Commission, Phoenix, AZ

Smith College, Northampton, MA

 

PROJECTS

 

2015 “The Artist Project,” The Metropolitan Museum of Art, New York, NY

 

INSTALLATIONS

 

2013-2016 “Un-Building Things,” The Balcony Lounge at The Metropolitan Museum of Art, New York, NY

 

BIBLIOGRAPHY

 

Amenoff, Gregory. Joan Mitchell Foundation 2004 & 2005 MFA, (catalog), Cue Art Foundation, New

York, NY, April 2006, (illus.)

Armitage, Diane. “Atravesando Fonteras—Lines That Unite/Lines That Divide,” THE Magazine, August,

2004, p. 69 (illus.)

Artforum, “The Artists Artists—Best of 2006,” Dec. 2006, p.115

Artist Project. “White Noise,” The Brooklyn Rail April, 2006; p. 38 (illus.—only)

“Caren Golden, Experimental Art in the USA,” ABCDARCO, (Madrid, Spain) Nov. 2, 2006, p. 11 (illus.)

Carless, Rachel. “Profile: Nicola López—Documenting History’s Ransom,” New World News International, August 24, 1999, p. 4 (illus.)

Carver, Jon. “De Dulces Diferencias,” Santa Fe Reporter June 14-20, 2000, p. 79

Cotter, Holland. “Latino Art, and Beyond Category,” The New York Times, September 2, 2005

Coulson, Amanda. “A Beautiful Mess,” Art on Paper March/April 2006, pp. 41-42

Crowley, Evelyn. “Talent Show,” W, The Arts Issue, New York, NY, Nov. 2006, (illus.)

Cudlin, Jeffry. “Metropolitan Lines,” Washington City Paper July 1-7, 2005, (illus.)

Fischer, Zane. “Zane’s World: Overlooking,” Santa Fe Reporter, July 5-11, 2006, p.29

Fronteras, Atravesando. “Lines That Unite/Lines That Divide,” THE Magazine, August, 2004, p. 69 (illus.)

Gibaja, Manuel. “Conversando con Nicola López,” El Diario de Cusco May 18, 1999, p. 9 (illus.)

Greater New York 2005, PS1 catalog, essay by Claire Gilman, Long Island City, NY, March 13-Sept. 26,

pp.224-225 (illus.)

Harper’s Magazine, “Mis-Communicated,” August 2006, p. 30 (illus.)

Harris, Jane. “Nicola López,” The Village Voice, April 20-26, 2005

Heartney, E. “Return to the Real?” Art In America, June/July 2005, pp. 84 (illus.), 87

Henry, Clare. “‘The (S) Files’ El Museo del Barrio,” ARTNews, December 2005, p. 141

Howard, Christopher. “El Museo’s Bienial: The (S) Files/The Selected Files,” The Brooklyn Rail,

November 2005, p. 21

Kamholz, Roger. “Nicola López: Vertigo,” The Brooklyn Rail, May 2005, p. 18 (illus.)

Kotwal, Kaizaad. “Color Unites Diverse Collection of Images,” The Columbus Dispatch, Columbus, OH, June 25, 2006

Lazar, Zohar. “Art, Museums and Libraries, Museum of Modert Art,” The New Yorker, September 2006, p. 16

Lissitzky, El. “Activator,” catalog essay, The Bates College Museum, Lewiston, ME Jan 19-March 20, 2006

López, Antonio. “La Voz: Festival de Las Americas: Adjacent Territories/Territorios Colindantes,” THE

Magazine July, 2000

Nott, Robert. “Flor y Canto: Conveying Cultural Legacies,” The New Mexican: Pasatiempo March 15-21,

2002, pp.21-22

Olivia, Anres, “Papiroflexia,” Belio Magazine, Aug. 2006, Ed. 021, p. 25-30

Ortega, Soledad. “Grabados de Nicola López,” El Diario de Cusco May 18, 1999, p. 9 (illus.)

Paglen, Trevor. “Trevor Paglen on Nicola Lopez,” Bomb. Summer 2007, No. 100 pp. 72-73 (illus.)

Riley, Jennifer. “Nicola Lopez Overgrowth,” The Brooklyn Rain, Brooklyn, Ny, Oct 14, 2006, p. 27, (illus.)

Rousset, Lucila. “Saturación II, Distintas Formas de Ver lo Urbano,” Gaceta UNAM April 12, 2004, p. 15 (illus.)

Sibley, Krystina. “Nicola Lopez,” Planet, Winter 2005, p. 11 (illus.)

Smith, Roberta. “Making an Entrance At Any Age,” The New York Times, May 6, 2005, p. E37

The (S) Files, El Museo del Barrio exhibition catalog, essay by Nicola Lopez, p. 58 (illus.), p. 59 (illus.)

Thompson, Chris. “Retooled, ‘Activator’ at Bates College Museum of Art,” Portland, Phoenix, AZ,

February 3, 2006, p. 14 (illus.)

Wennerstrom, Nord. “Reviews: Nicola Lopez, Irvine Contemporary Art,” Art Forum, October, 2005, pp.

279-280

Westervelt, Amy. “Art+Consciousness.” Clear Magazine, Volume VI issue 1, April 2006, p. 118 (illus