Avery Danziger, “Jockey’s Ridge, NC 4:18 am,” 2007, 1/12, color photograph, 31 3/8” x41 5/16”
Blanca Botero, “Acuafactoria 8,” 2014, 2/4, black and white photography, 21 5/8” x 21 5/8”
Carl Goldhagen, “Call Box,” 1996, 1/5, photo emulsion gold plated on copper back, 14” x 11”
Jerome Hawkins, “Antelope Canyon #4,” 2001, ed.6, black and white photo, 35 1/8” x 31 1/8”
Kirk Pedersen, “Red Wall, Dalian, China,” 2008, 3/10, lambda digital C print, 40” x 60”
Harry Roseman, “Blue Pole,” 1999, 2/6, c-print, 18” x 22”
Pam White, “The Messenger,” 1994, black and white silver print, 26 1/4” x 32 1/4”
Avery Danziger, “Venus Rising 5:06 am,” 2007, 3/10, color photograph, 40 1/4” x 60 1/4”
Pam White, “Ocean Series #2,” 1998, black and white silver print, 16 1/2” x 20 1/2”
Jerome Hawkins, “Saguaro,” 1987, ed. 4, black and white photo, 35 1/8” x 31 1/8”
Jerome Hawkins, “Santa Elena Canyon,” 2007, ed. 1, black and white photography, 25 1/8” x 25 1/8”
Avery Danziger, “Cabo de Gata #5,” 2007, AP of 10, color photograph, 41 1/2” x 51 1/2”
Blanca Botero, '“Acuafactoria 5,” 2014, 2/4, black and white photography, 21 5/8” x 21 5/8”
Carl Goldhagen, “Pinwheel,” 1/2, photo emulsion on gold plated copper, 35” x 28”
Jerome Hawkins, “Lake 9, Busch Wildlife Area,” 2007, ed. 33, black and white photo, 29 1/8” x 25 1/8”
Kirk Pedersen, “Shenyang Bills,” 2007, 3/10, lightjet print, 25 13/16” x 39 1/4”
Harry Roseman, “Form Follows Function,” 2004, 1/3, c-print, 22” x 26”
Natalia Arias, “Modern Venus,” 2005, 1/5, c-print, 39 3/4” x 32 3/4”
Natalia Arias, “Displaced,” 2011, 1/5, c-print, 30 3/4” x 23 1/4”
Carl Goldhagen, “Tank,” 1996, 1/5, photo emulsion on lead, 12” x 15”
Pam White, “LFP,” #10, 4, 1996, black and white silver print, 24 1/4” x 26”
Jerome Hawkins, “Geronimo,” 2007, #2, black and white photograph, 25 1/8” x 47 1/8”